![]() ![]() You can undo your modifications by turning the DATA WHEEL to a different preset and then back again. This indicates that you have temporarily modified The SAVE button will light up red when you turn any programmable knob or edit any other setting on the amp. When you select a preset, the level of each knob, every effect setting, and the amp model selection, are instantly recalled to your pre-programmed settings. Your Mustang™ amplifier gives you the powerful ability to save every setting on the amplifier as part of a preset. ♫ If you open the Effect settings menu (see Effect Settings, above), you can watch the actual TAP values you are setting while you are tapping them in! If you press the TAP button only once, the interval will be set to the maximum. Press the TAP button rhythmically (twice minimum) in time with the desired interval. Select a Delay or Modulation effect that causes the TAP button to blink, using the Effects menus (see Selecting Effects, page 3).Ģ. ♫ You can use the Effects menus or Fender FUSE to set delay time and modulation rates more precisely.ġ. When both delay and modulation effects are selected simultaneously, the TAP button will blink in time with the delay effect and will only control the delay time setting. When you select a modulation effect, the TAP button will blink in time with the modulation rate setting (note that modulation rates can have up to 12 second intervals and the TAP button will flash infrequently). When you select a delay effect, the TAP button will blink in time with the delay time setting. The TAP button can be used to "tap in" delay time and modulation rate settings, by rhythmically pressing the TAP button. ![]() Right up there with the POD HD stuff as well. Anyway, $300 phenom as far as I'm concerned. trying to get acceptable drive tones from within the amp, but that is just me being extremely picky. I would probably use some pedals up front for drive vs. The editing software works well and it IS possible to dial in some very nice clean stuff. I sent it back because it was that or my AxeFX Standard at the time and of course the Standard wins easily.īut yeah, a simple speaker upgrade could take that bugger to the next level for sure. But in a band or gig setting this would be completely unnoticeable and I believe Fender has released newer version of firmware to try and correct it as much as possible.Īt volume the amp didn't sound that great by itself to my ears, but I was contemplating dropping in an EVM12L or similar - I bet that would have tamed the tiny high end and rounded things out well. ![]() There was some pretty noticeable digital artifcats during note decay. I was able to dial in some convincing clean tones (Fender) and the best tone I got going was the AC30. Great little practice amp for couch jamming when I don't want to go down into my studio. But, I tell you what: for $299, I think it's a damn steal. Also came with a two button foot switch that is programmable. It's got USB, plus some software (I think there's a version of Amplitube in there, haven't dug through all of that yet), and a headphone jack. The amp models even have power amp parameters, like Sag and Bias. I've been having a blast with the Fender stuff. The high gain presets don't sound that great, but I haven't fussed with trying to dial in a high gain tone on my own yet. Especially when I got it home, and plugged my Am Std. It's a SS modeling amp, and the Fender models sound really, really good to me. I ended up walking out of the store with the PRS and the Mustang III. I was really impressed with how this little amp sounded! I plugged it into the nearest amp to give it a spin, which was this little Fender Mustang III combo. So, I had a store credit at a local guitar shop, and I went in to look at a used PRS Paul Allender SE guitar that I had my eye on. ![]()
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